The Fidelity’s, Baton 252, 1958, #60 Pop
Once I had had discovered my musical kinship with The Ink Spots, it was only a matter of time before I revisited The Platters. “Only You,” a favorite of mine, was the first collaboration between The Platters and their manager, the song’s writer, Buck Ram. It was the first of their many hits (although their follow-up “The Great Pretender” was the first to hit number one). Tony Williams was to The Platters what Bill Kenny was to The Ink Spots: a strong, melodramatic tenor to lead them to pop glory. And his vocal gymnastics turn “Only You,” a mediocre love song, into a love-drenched classic. (And from the sublime to the ridiculous: The B-side was a ditty called “Bark, Battle, and Ball,” a take-off on “Shake, Rattle, and Roll.” Obviously, the group hadn’t yet figured out their path.)
Can one do this type of song nowadays without it automatically being labeled kitsch?
The other Platters tune I perform is “Smoke Gets in Your Eyes,” at least partly because it’s the only pop song I know that contains the word “chaff.”
Once I’d added some Platters into my repertoire, I sought similar songs from their contemporaries. The most similar—and the best—is The Fidelity’s “The Things I Love.”
This sentimental big-band favorite, written by Harold Barlow and Lewis Harris and introduced by Jimmy Dorsey in 1941, is a love song couched in observations of the natural things the singer loves: sunset’s glow, fireflies at play, nodding tulips—and, of course, a lady’s “sweet voice” and “lovely eyes.” The version by The Fidelity’s (their apostrophe, not mine) was released in 1958. It is a soaring, gorgeous melody. The repetitive nature of most songs of the doo-wop era made songs revived from earlier eras, with their less predictable chord patterns, stand out. (Although, at a peak of only #60 on the Billboard pop chart, you couldn’t really say that this one stood out very much.)
The group is augmented on this recording by the Teacho Wiltshire Orchestra. “Teacho Wiltshire” is my second-favorite showbiz name, even above Hermes Pan, Blossom Dearie, and Harry Reasoner. My favorite showbiz name is Minto Cato. Ms. Cato was a singer/dancer who introduced “Memories of You” in the Broadway show Blackbirds of 1930. The song was written by Eubie Blake and Andy Razaf. That’s another couple of great showbiz names. (And Minto, who went with Razaf for a while, could have become Minto Cato Razaf—wow!) The Fidelity’s Platters platter stayed at the lower reaches of the Billboard charts, and further attempts at hits fizzled, but lead vocalist Emmitt Smith makes “The Things I Love” a record that The Platters would’ve been proud to have in their repertoire, right alongside “Smoke Gets in Your Eyes,” “The Great Pretender,” and “Only You.” Emmitt is right up there with Tony and Bill.
Can one do this type of song nowadays without it automatically being labeled kitsch? Has anyone in the past sixty years pulled off anything in this vein outside of an oldies show on public television? Who were the successors to The Ink Spots and The Platters, hugely popular groups who seem to have influenced nobody at all? And why are The Fidelity’s and their wonderful cover of “The Things I Love” all but forgotten?